Brian Alexander'sGlass Houseopens with the image of a cop, Eric Brown, a veteran of the force in Lancaster, Ohio, onthe verge of tears about the drugs and crime that have infested the town he's sworn to protect. "The weight of it, the pressure, wanting to make things right…" Brown says, seemingly powerless in his attempts to articulate the sharp decline ofthis manufacturing town over the course of a half-century.Following this and some other glimpses into contemporary life in Lancaster – the CEO working to undo decades of mismanagement, the young man who simultaneously hates and needs his glassworks job, the people who are working three jobs or who have fallen prey to opiates –Glass Houseturns back the clock to 1947, the year when Forbes magazine profiled Lancaster as the ideal all-American town. "This Is America," proclaimed the cover story. What happened between 1947 and the present day? How could things take such a precipitous turn for the worse – and whatlessons could Lancaster's fate teach the rest of the country?Those are the questions that Alexander tackles in an impressive work of reportingthat is also, perhaps, his most personal project to date. Alexander, whose previous books have looked at cloning and the science of sexual attraction, grewup in Lancaster, and he has personal connections with several of the people heinterviews in the book. These close ties not only allow him to insert specific anecdotes of bygone Lancaster and give him a certain degree of access that other journalists would have had a hard time achieving, they also imbue the book with, if not nostalgia exactly, then a palpable and very intimate feeling of loss and genuine anger at what's happened to Lancaster's inhabitants, subject to forces beyond their control or even understanding.It's this desire for understanding, however, that propels the narrative, as Alexander alternates between painting sympathetic portraits of present-day Lancastrians struggling to just get by andtracing the history of his hometown and, primarily, its once-thriving major employer, the Anchor Hocking Glass Company. The story of Anchor Hocking is, in many ways, the story of American manufacturing in a nutshell; from its origins in the ambitions of a young entrepreneur, to its initial takeover by one of the corporate raiders of the 1980s, to its current vastly diminished state following a series of private equity acquisitions and a dizzying series of poormanagement decisions, all with an eye solely on profits and on raising the stakesfor investors rather than workers.Glass Houseis, at its heart, an indictmentof the profit-driven economic theories espoused by Milton Friedman that have guided the decisions of CEOs and investment firms for decades, resulting inchoices that have decimated American industry, destroyed towns like Lancaster, and resulted in the sort of collective hopelessness of the current political situation. Alexander does a terrific job of explaining complex financial and economic issues for laypeople and, most importantly, providing a window into a world that might be largely invisible to many readers. Readers who turned to J. D. Vance'sHillbilly Elegyin an attempt to answer the question "How did we get here?" may find similar answers here, although Alexander focuses primarily on business and economic history and less on cultural concerns. Everything is connected, however, as Alexander repeatedly reinforces, which is whyGlass Houseshould be essential reading for anyone concerned about the future of American workers – regardless of what town we call home.
No comments:
Post a Comment